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Ek Gadhe Ki Aatmakatha

  • November 29, 2026 · 7:00 PM – 8:15 PM
  • Ravindra Manch ssk, Jaipur
  • Organised by Ras Rang Manch Sanstha

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About this event

Ek Gadhe Ki Aatmakatha is a humorous and satirical play that uses a donkey as a symbol to expose social and political anomalies, highlighting the evils and contradictions prevalent in society.The story revolves around an unusual donkey who can speak, is educated, and possesses great wisdom. After being auctioned, he ends up with Ramu Dhobi, a washerman. Having previously lived with several intellectual masters, the donkey is accustomed to reading and writing. However, when assigned routine menial tasks by Ramu Dhobi, he becomes frustrated and eventually leaves.His disappearance sets off a search that gradually draws the attention of prominent individuals and prestigious institutions. Through the donkey's journey and growing fame, the play humorously exposes the hypocrisy and shortcomings of society, politics, and influential establishments. As the donkey becomes increasingly popular, jealousy over his fame ultimately leads to his murder.Filled with folk music, humour, and sharp satire, the play offers an entertaining yet thought-provoking commentary on society.Dramatization and Direction: Himanshu Jhankal

What we know

Tickets
Regular Ticket ₹99
Doors open
6:45 PM
Duration
1 Hour and 15 Minutes
Address
WR7F+63Q, Ram Niwas Garden, Kailash Puri, Adarsh Nagar, Jaipur, Rajasthan 302003, India

Where this event is covered

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    “Ek Gadhe Ki Aatmakatha (Autobiography of a Donkey) is a play based on humor and satire that depicts social and political anomalies, pointing out the evils of society by using a donkey as a symbol. The play features a…” Read all

    Ek Gadhe Ki Aatmakatha (Autobiography of a Donkey) is a play based on humor and satire that depicts social and political anomalies, pointing out the evils of society by using a donkey as a symbol. The play features a donkey whose special quality is that he can speak, is educated, and is wise. After being auctioned off, he ends up with Ramu Dhobi (a washerman). Because the donkey had previously lived with several intellectual masters, he used to engage in reading and writing. However, he now feels uninterested in the menial tasks assigned by Ramu Dhobi and leaves in anger. Gradually, a search begins for the donkey. Through the process of searching for him-and keeping the donkey as a symbol-the play exposes many prestigious people and institutions, along with society and politics. Slowly, the donkey becomes very famous, and in the end, out of jealousy over his fame, he is murdered. The play is filled with folk music, humor, and satire. Himanshu Jhankal (Dramatization and Director)

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